Wade’s Fiftieth Birthday Poem

Where are you Wade,
Now when you should be here,
making old people jokes at your own expense
before we can make them for you.
You should be here,
unwrapping presents
like it was your Happy Fifth
instead of your fiftieth,
making everybody laugh.
You should be here
charming children
who will never forget you,
the biggest one of them
they ever saw,
proving growing up is optional.
You should be here
helping us through
this endless funeral,
making confetti fall out
when we drop the casket,
reminding us struggle
is the gift; the goal, just wrapping.

You should be here.
Unless you are there,
showing your mother
the moment of your birth
in a medium that wasn’t invented then
and narrating it yourself
in her voice,
making her laugh.

©2014 WILLIAM JOHN WATKINS

The Good Witch of the North (Tara’s Fifty-second)

THE GOOD WITCH OF THE NORTH (TARA’S FIFTY-SECOND)
Long before you inherited the ruby slippers,
and the wand that shoots love like a sparkler;
long before the tiara of goodness became yours,
like her beauty queen’s crown before it,
or the gown made of gossamer and silk,
shiny and strong as you have grown to be,
flowed around you as it did around her,
the way everything flowed around her,
like rings of invisible topology centered on her
and changing every time she thought a good thing
said a good thing, did a good thing.
Before her magic settled completely around you,
within you, and throughout you,
she was shaping you to take her place,
she was guiding you to learn all you would need to know:
“Love everything without a reason.
Nourish it and let it grow its own way,
But don’t be afraid to trim it and shape its growing
for its own good, and for the good of The Good.
Guide where you can, prune where you must.
This is your garden now, plant it new in new places.
It’s tending is not meant to be a burden,
don’t let it become one. Let it be what it is,
a joyous labor of love, and all that you do
will flourish and spread, the way the pollen of one plant
spreads on the wind, generation after generation,
until there are flowers everywhere.
Nothing, even now, makes her happier
than to see how lushly and beautifully you have grown
now in your fifty-second season
of sowing splendor in our hearts.

©WILLIAM JOHN WATKINS

The Wonder of Wednesday

Watershed Wednesday is like a gold axle
around which the massive stone of the week spins.
We listen to your voice on Wednesdays,
differently than when you call,
though it is a joy to us however we hear it.
It is a such a beautiful voice, your radio voice,
so polished and professional,
so resonant, so soft.
No one could hear it without envisioning
not only a beautiful woman behind it,
but a beautiful person,
and a mind full of wonder
for things simple and complex alike,
full of enthusiasm, anxious to be fascinated,
happy to hear the intricacies
of someone else’s passion,
happy to make it your own.
We listen to it with the same pride and pleasure
with which we watched you dance and sing,
leap and tumble, run the base and hit,
every chance we got.
We listen to your voice,
so professional and perfect,
and think of the beautiful little girl
who stuttered like a king
and how we told you it was because
you were so smart and thought so fast,
that your voice just couldn’t keep up with your brain,
but that it would learn to,
and you believed us and worked to make it true.
So we hear in your voice the echo of a victory
won long ago but resounding still,
and we marvel at you,
as we have marveled every year on this day
at the latest form of your perfection
and realize that what makes your voice so beautiful
is that it is always so full of love.

©WILLIAM JOHN WATKINS

For Tara the Baserunner

I love the way your spirit slides with reckless abandon
at full speed
taking out shortstops without the least hint of malice.

I love the way it overruns every base
challenging life’s outfielders to try to pick it off,
daring infielders to make the wild throw
its exuberance makes inevitable.

I love the way it takes the extra base while everybody else is hesitating,
and the way it rounds third without the least indication it could stop
anywhere short of home plate.

I love the way it gets dirty without thinking about it
and the way it bounces up and runs again ready to slide
at any opportunity.

I love that it runs the way my spirit ran
when I was fifteen going on forever
and the running itself was more rewarding than the score.

I love the way it runs because it always runs that way
even when I am not there to see it,
and always ran that way
even when you were too far away to see,
and will run that way
when you are older than I am
watching it run your daughter around the bases.

©WILLIAM JOHN WATKINS

Graduation Poem for Chad

This is the crossroads
where the pole-mounted cart wheels
with their burden of broken criminals,
that interminable line like telephone poles
dwindling into the valley,
the one that stretches back
down the waterless mountain road
interrupted at intervals by crow cages
full of half picked bones,
is supposed to stop,
where the heel bruising stones
are supposed to turn to grass underfoot,
and the incline become horizontal.
But you know already
that Supposed-To-Be has little to do with Is,
and this is in fact only the place,
where the foothills end,
where the struggle to prepare
becomes the struggle to achieve,
and eventually, the struggle to survive.
And I do not have to tell you,
you who have struggled always
up the sheerest slope,
over rocks greased with your own blood,
that it is the struggle
and not the resting place,
however high up,
that makes us men,

©WILLIAM JOHN WATKINS

Mining Disaster

My father woke up startled every time,
as bug-eyed as Fuseli’s nightmare horse,
as if around him the collapsing mine
crushed on him still with overwhelming force.

As if plucked back by magic from the dead,
like undead Lazarus stunned for breath he sat,
looked at the plaster cracking overhead
for one last fatal tremblor in the shaft.

Sweat soaked, stiff, on the bed edge he would sit,
hands clenched in covers as if dug in dirt
still hearing in his mind-mine’s creak and sift,
the cave-in that they pulled him from “unhurt”.

Done with the mines, the mines weren’t done with him.
Each coal grit breath a lost lung’s rough raked rasp,
years later still as desperate and grim,
my father always woke up with a gasp.

Child ignorant, I never knew to thank
my dad, who fought back daily from the dead,
for shaking off the dream from which he shrank
to go back underground to earn our bread.

©WILLIAM JOHN WATKINS

My Father is up to His Neck in Coal

My father buried to the neck in coal,
when the blast he set went off too soon
and the shaft sluiced rock like water roaring down,
pouring it over him in a rattling stream
until only his head could move,
hung suspended there an hour or more
before somebody came and raised the cry.

Men came, pickaxed and scraped
the brittle fist-sized shards of anthracite,
whose weight, like someone sitting on his chest,
squeezed off all breath except the hollow wheeze
his waning strength forced in and out.

He seemed a drowning man to those who dug
black diamonds by the shovelful and hurled
a month’s pay down the gangway in less time
than bosses would allow a man to eat.

No doubt, they marveled as they dug
at fortune turned bad like a tainted wish,
how months a man could shovel only stone
dreaming of a run of coal like that
to have it come a curse and leave him like
a miser buried in his bin of coins.

He laughed at that when I was old
as he was when good fortune broke three ribs,
and left the seam he’d spent six months to prime
for other men to dig.
“God loves a joke,” he said,
emphysema filling up his lungs,
the wet cough rattling in his chest
like running coal.

©WILLIAM JOHN WATKINS

All My Ancestors Breathe With Me

I like to watch my breath go up the sky,
winter nights when the sky is royal blue,
like a ghost late for heaven and climbing fast.
I think my Norse ancestors stood the same,
the snow crunching under their shuffling feet
on the late watch, breathing puffs of spirit upward.
And the Welsh magician kings, whose drops
in the sea of my blood transformed it into poetry,
watched the smoke of their incantations rise the night.
And the Dutch guildsmen tramping home on packed snow,
who live also in my blood and do the organizing,
saw the smoke of their trade unionist rants go up the sky.
And the Germans, the old Teutonic knights,
sitting in cold armor on horses breathing smoke,
surely cocked a visor nights like this and billowed breath to God.
And the Celts, blue painted like the frozen dead,
naked to the waist in the night woods waiting dawn
and the attack followed their mouth ghosts up with awestruck eyes.
And the English-men, cold angry Protestants looking for a witch
to burn the night-cold black as God’s wrath to the faint of heart
watched their souls swirl upward in the empty night.
I like to watch my breath go backward up
the rope of my genes,
each strand, some night-standing man
always looking upward,
wondering where in winter sky
the ghosts of his breath were going.

©WILLIAM JOHN WATKINS

Wall & Buttress

We are wall and buttress,
the last thing upright standing
of sanctuaries burned in battle.
The acid rain of absence
has pitted stripping handholds
in our outward, seeming, surface,
for the sandblast of the wind
whose horizontal forces face me
stress me
daily push me
backward on you harder
for resistance and support.

Everything conspires
to throw down what is standing,
the land itself has risings
and equal daily fallings
that twist in tensile turnings
that make the bent steel break.

Even Time, whose torque is tangent
to the inward pull of gravity
and the outward wear of turning
that the planet puts upon us
as it rubs us through the pulling
of stars, black holes, and planets,
even Time’s entropic spinning
tries to shear us from each other,
tries to tear what we are doubled
into what we are alone.

They have weighed against us always
and will weigh against us ever,
the outward ripping forces
of rage and sheer frustration,
and the inward spidering stresses
of loneliness and fear.

But the work they do is futile;
when the sun goes west, I shade you
and at windrise, you uphold me;
we are always
wall and buttress,
the first one upright standing
of palaces invisible
and strong as they are new.

©WILLIAM JOHN WATKINS